Monday, February 25, 2008

I guess everything's relative

27 years ago I lived in a house with four or five other guys. Some of us pretended to go to school, and some of us pretended to work, and in between we'd have a whole hell of a lot of fun.

The entire main floor of the house was like one giant room with a kitchen and a half-bath hanging off it. It was, therefore, conducive to hosting massive parties. Good thing, too, because the place was such an energy sieve that we had to throw monthly massive parties just to generate enough cash to pay the heat bill.

On the Saturday nights that we weren't nearly breaking a floor joist because so many people were dancing to "Police & Thieves" or "Janie Jones", we were probably huddled around the TV trying to warm up by the sickly glow of Night Flight on the USA Network. There might be a Cheech & Chong movie, or some combo of weird animation and videos they'd never show on that brand new thingie they called MTV.

And, about the time of day we were either putting down the beers and firing up the bong, or putting down the bong and cracking open the beers, something called New Wave Theatre would catch our gnat-like attention spans. One thing New Wave Theatre was not, was boring. It was hosted by the annoying Peter Ivers, whose stream-of-consciousness raps about gherkins and Ginkels made us almost wish someone would bludgeon him to death. Then someone did. Sorry, Pete. You're still missed after all this time.

Here's a clip from New Wave Theatre by the Suburban Lawns that I've been obsessively watching over and over again. The song is called "Janitor," the lyrics of which came from a real-life conversation between lead singer Sue Tissue and a friend trying to converse in a noisy room when they first met.
She asked me what I did for a living. I said, "I'm a janitor," and she thought I said, "Oh my genitals."




All action is reaction...
expansion...
contraction...
Man the manipulator.

Underwater
Does it matter?
Anti-matter
Nuclear reactor
Boom boom boom boom

Who's your mother?
Who's your father?
I guess everything's relative.


The Suburban Lawns are/were:
Sue Tissue, vocals
John McBurney, lead guitars & vocals
Vex Billingsgate, bass & vocals
Frankie Ennui, guitars & vocals
Chuck Roast, drums

Saturday, February 02, 2008

Not quite as Way Back...

...but still haunting, 45 years later:



Music for the afternoon: Material's Seven Souls, featuring William S. Bourroughs lobbing his words from the crypt over sounds made by genius bassist and producer Bill Laswell, guitarist Nicky Skopelitis, and reggae drumming legend Sly Dunbar. Here's Burroughs from Track 3, "Soul Killer":
There is intrigue among the souls, and treachery. No worse fate can befall a man than to be surrounded by traitor souls.



Can any soul survive the searing fireball of an atomic blast? If human and animal souls are seen as electromagnetic force fields, such fields can be totally disrupted by a nuclear explosion. The mummy's nightmare: disintegration of souls.

And this is precisely the ultra-secret and super-sensitive function of the atom bomb: a Soul Killer, to alleviate an escalating soul glut.

Scientists always said there's no such thing as a soul. Now they're in a position to prove it.

Total Death -- Soul Death. It's what the Egyptians call the Second and Final Death. This awesome power that can destroy souls forever is now vested in far-sighted and responsible men in the State Department, the CIA, and the Pentagon.

Governments fall from sheer indifference. Authority figures, deprived of the vampiric energy they suck off their constituents, are seen for what they are: dead, empty masks, manipulated by computers. And what is behind the computers? Remote control, of course.

Look at the prison you're in -- we are all in: this is a penal colony that is now a death camp, Place of the Second and Final Death.

Desperation is the raw material of drastic change. Only those who can leave behind everything we have ever believed in can hope to escape.

Don't intend to be there when this shit-house goes up. Nothing in and out but the recordings. Shut them off. They are as radioactive as an old joke.

You can also listen to Track 2, "Seven Souls", here. It's inexplicably paired with video from Closet Land, featuring perennial villain Alan Rickman and a pre-lip job Madeleine Stowe.