Friday, June 29, 2007

Blue Moon


I'm sitting in my old neighborhood in the City of Lakes, enjoying a fine summer evening, listening to groovy music, and watching the blue moon rise.

The scent of barbecued ribs is wafting up the street from Rudolphs, and I can hear people having a high old time down there.

Tomorrow I will travel to my hometown to play frisbee golf on a farm where we throw our frisbees at oil paintings and fixed pastels of nudes instead of wire baskets. Hawks will fly over our heads and deer will run across our course. A valley will bestow its beauty before us, and I will imagine the mixed children of white traders and M'dewakanton Dakotah living there in harmony before being forced out and rubbed out in the mid-1800s.

This farmland land was originally the heart of what was known as the Half-Breed Tract, and set aside by the US government for the offspring of white traders and their Indian wives. There's little about this in the history books, as it seems it's not desirable for The Rest of Us to know that whites and Indians once lived in harmony in the 1700s in this area.

How the land passed from the M'dewakanton and Santee people into mixed blood hands and ultimately into the hands of men like my great-great grandfather is an interesting one. Threats were made, and
At a meeting of those interested in the cause of the settlers, which was held at the Kelly House in Red Wing, March 17, 1856, a vigilance committee of 21 members was chosen to prevent any more scrip being laid upon the land already occupied. This committee was empowered to demand that in every case where scrip had been laid on the land of actual settlers, said scrip should immediately be raised. The members of the committee were men of dauntless courage and muscular power, and devoted their whole time and energy to the work until it was accomplished. Two of them stood as sentinels at the land office armed with loaded revolvers, constantly watching every transaction therein, being relieved by another two at stated times. In the meanwhile the majority of the committee were acting as detectives, arresting and bringing to trial those who had offended, the trial not being before a court of justice, but before the committee. There was at that time no courthouse and no jail, and the lawyers knew that the scrip holders were acting within their legal rights. The holders, however, were threatened and intimidated by the committee and through fear compelled to raise the scrip, though there is no record of any personal injury being inflicted on anyone. That such would have been inflicted in case of continued resistance there is little doubt, as one man was led to a hole cut through the ice in the river, and given his choice either to raise his entry of scrip or be put through the hole, and though he was a man of strength and courage, he found it prudent to submit. There were other cases of the same kind.
From The History of Wabasha County, Minnesota, chapter 3, 1920.

Picture:
Chief Wabasha II, from 1823.

Sunday, June 24, 2007

A Beautiful Mind

You people are fucked. You're living in a dream. You still sit here talking about the fucking Oscars. What rough beast slouch towards Bethlehem to be born. Yeets. The world, don't you see it. Bush let al Qaeda escape, the mountains. Then he has us invade some other country. It's more noble than watching these jack-off fantasies on TV if I were kicking their ass. It's like America. I mean this is still where people come to make it. It's a beautiful idea. And what do they get, bling, and come on for shit they don't need and can't afford.
-- Anthony Soprano, Jr.

But why should we hear about body bags, and deaths, and how many, what day it's gonna happen, and how many this or what do you suppose? Or, I mean, it's, it's not relevant. So why should I waste my beautiful mind on something like that?
-- Former First Lady, Barbara Bush

Why, indeed?

Today I'm wasting my beautiful mind on things like these:



Wednesday, June 20, 2007

ISS and Space Shuttle

Just watched the space station and shuttle cruise across the heavens. It was pretty cool.

"For the world is hollow and I have touched the sky."
-- Dave the Wad, quoting forbidden words on a Star Trek episode

Telly...

...how can you be so fuckin' suave?

Who else could have a smoke and quote a Bread song to a giant, wigged, vaseline-hazed head and make it the Epitome of Coolness?




Saturday, June 09, 2007

OK, one more

I can't help it. I just have to share one more:

BUSHOMON


Courtesy of The Aristocrats.

Yummm...cheese sandwiches AGAIN!



How long before there are dozens of garage bands named The Screaming Paris Hiltons?

In other news...

Pixelated Scraps

For your listening and viewing pleasure -- you MUST click below:

Fujiya & Miyagi - Ankle Injuries

Fujiya & Miyagi will be playing at the Pitchfork Festival in Union Park on July 14th. And -- bonus! -- back again to the Empty Bottle on October 5th.

Here they are live at SXSW, courtesy of The Current (oh, how I miss the Current on my car radio).

More Rodrigo y Gabriela

Here they are again:

Friday, June 08, 2007

Did I just hallucinate this, or what?

Maybe one of those flashbacks They promised us has just happened.

Inexplicably, Lee Greenwood, Little Richard, James Brown and Weird Al Yankovic appear on Wheel of Fortune. Somewhere, Ed Grimley is jumping up and down and peeing his pants.

Thursday, June 07, 2007

The 17-year itch


One of these little effers climbed up in my shorts and I didn't know it until I came back inside. Talk about losing a few years...

It's about 90 degrees and big thunderstorms are rolling in.

It'll be a respite from a day of heat, humidity and staring mortality right in the face.

How did I come to grok about my passing? Simple. Millions and millions of 17-year cicadas.

The next time these things come around, I'll be 62 years old (shudder), if I make it that long (knock on wood). They're everywhere here in suburban Chicago, flying lazy loops, filling the trees, chirping and chittering and buzzing like a fuzz guitar. Some classical concerts at Ravinia have been switched around with rock shows so that the little beasties don't drown out the music.

But these things are music in their own way, going in and out of phase like two chirpy jet engines thrumming and humming in cycles.

Speaking of music, I caught The New Standards tonight in a teeny little club in Wicker Park called Davenport's. The New Standards are a cover band -- but that's like calling the Grand Canyon a ditch. They play covers like you've never heard.

There were all of 17 of us in the audience, and the performance was relaxed, entertaining, and outstanding. With my nose to the grindstone once again, I didn't walk in until 30 minutes into the show, but was infinitely rewarded by making the effort to get there.

I'm not sure what I missed in the first 30 minutes other than the 'Mats "I Will Dare", but upon being seated and taking a pull on the first of my two-drink minimum, Britney Spears' "Toxic" came creeping out of this trio of piano, bass and vibraphone like pop voodoo.

Next up was Outkast's "Hey Ya", and it is not to be missed if you get the chance to say ya. The head of Steve Roehm's vibe mallet flew off in the middle of the number, prompting Chan to reveal that's one reason the jazz guys don't allow them into their camp.

Then we were treated to an incredible version of the Magnetic Fields' "The Book of Love" and a Lucinda Williams chestnut, followed by an improvised jam on Chan's own "Girlfriend". Chan also added to my mortal reverie with a version of "Is That All There Is?" that made Peggy Lee seem like a cloddish dunce. Not that her version is unfeeling, but Chan gives it that little tweak that he does -- and with Steve Roehm revealing his genius on the vibes, passing away in one's striped jammies doesn't seem all that bad.

"Under Pressure" was next, and John Munson's clear, soaring voice made me simultaneously wonder "Freddie Who?" and pine for the Toolmaster of Brainerd, the Trip Shakespeare treasure I haven't heard in years and years. I think I've spaced a few songs, but anyway...

Time for an encore, and this one delivered. We got Blur's "Song 2" -- you know, the one that's so easy to scream along to with the driving rhythm guitar and all the WOO Hoos? only this time, it was vibes, piano and Munson's inventive bass. And the fan-girl in the corner delivered with some well-timed WOO Hoo's of her own.

Shame that there were only 17 of us there, but that made it rather fun to hang out for a few minutes afterward, where nearly everyone had a drink with the band. And bonus! I picked up a CD for a paltry ten clams AND got to hear the latest gossip about Beej. One 27-year fan had driven up from Indiana with his posse, came up and said hi and recognized me from my myspace page. That gave me a little start, but I guess that's the whole point of social networking, innit?

Wednesday, June 06, 2007

Fuzz bass solo!

I'm sitting around feeling sorry for myself, because instead of hanging with my friends in Minneapolis (Bobby's in town to shoot a commercial) or seeing the New Standards (Suburb/Emmy winner Chan Poling, Semisonic/Trip Shakespearian John Munson, vibraphonist/percussionist Steve Roehm) play at a club in Wicker Park, I had too much work and had to keep the nose to the grindstone.

All done now, and just got the following message from Watt:
hear me work the thudstick w/steve hodges on drums for violinist chris murphy's "blues for bukowski" and yep, that's a fuzz bass solo I did in the middle of it - chris' idea!
Well, I'm a sucker for fuzz bass (particularly if it's in a Sly Stone or Tones on Tail song -- even Paul Revere & the Raiders) -- so here's Watt's contribution, and it's pretty groovy:



And yay! I can go see the New Standards tomorrow night, too, as their gig is a two-night stand.



Here they are covering Roxy Music's "Oh Yeah". They also cover Outkast's "Hey Ya", and even though their stripped down version is more subdued, it's still groovy enough to make me want to jump on the bed.

Sunday, June 03, 2007

A Mighty Wind moment

Every year or two, around Memorial Day, I re-read Bury My Heart At Wounded Knee.

Each time I read it, I learn something new or remember something I'd forgotten.

And each time I read it, I am saddened and angered.

I finished my dog-eared copy again this morning, and then serendipitously stumbled across this performance of As Long As the Grass Will Grow. It's an Indian protest song, sung here by Johnny Cash, June Carter Cash, and Pete Seeger, on Pete Seeger's Rainbow Quest TV show in the mid-60s.



You can see more clips from Rainbow Quest here.

Nirvana

It's a Sanskrit word that literally means "to cease blowing"; a state of pure consciousness and bliss.

It's said that there are no shortcuts to nirvana.

But every time I see this, the world stops blowing for five and a half minutes: